Inquiry into slope as a generative metaphor and material condition, using feminist geography, environmental history, and sensory methods to critique flattening, abstraction, and land-as-property systems.
Performances that treat the body as a sensorial instrument for slope, working through proprioception, balance, weight, gravity, and terrain as choreography.
Public scores, happenings, and workshops that use walking, listening, and collective movement to turn urban infrastructure in steep terrain into shared stages for embodied and historical encounter.
Built work where slope is generatively negotiated through steps, terraces, retaining walls, sections, and site-responsive design.
Hybrid works across installation, site-specific art, production design, and graphics that materialize ecological research and make land-body relations tangible.
Lina Bondarenko is an artist, dancer, architect, researcher, and educator whose practice takes the sloped landscape as its central site and subject in perpetual curiosity for how slope geomorphology shapes urban history and value systems.